Mary Higgins Clark: No Place Like Home

Leave it to Mary Higgins Clark, known by her steadfast readers as the “Queen of Suspense,” to craft an intricate mystery, chock-full of shady murder suspects, lies and deceit.

The fast-pace story takes off when Clark paints a vivid portrait of Liza Barton’s picture-perfect childhood. At the beginning, Liza had it all: loving parents and a dream home in New Jersey, complete with scenic pastures and horse stables. Little Liza’s seemingly flawless life was ripped out from under her after her beloved father’s mysterious death. Shortly after the tragedy, Liza stumbled upon her new stepfather in the midst of murdering her mother. In an effort to stop her vindictive stepfather dead in his tracks, Liza grabbed a gun and accidentally shot multiple rounds into her mother’s chest. After that fateful night, Liza Barton was dubbed “Lizzie Borden” by the media circus.

Two decades later, Liza (renamed Celia Nolan) wiped away all traces of her past, married a hot-shot lawyer and moved back to her hometown. Celia knew keeping the closeted skeletons at bay would be a challenge, but she wasn’t prepared for the surprise birthday present her unsuspecting husband had in store for her: Her childhood home, complete with painful memories and a vandalized front yard.

Soon after the seemingly happy couple moved into Lizzie’s house of horrors, things go from bad to worse. A slew of dead bodies pop up and everything points to Celia.

True to Clark’s telltale formula, all characters are possible suspects. Clark has a knack for creating atmosphere when describing the beatific East Coast fall scenery; however, these descriptions are few and far between. Despite the story’s lack of ambiance, the characters are fully developed with their own sordid back stories.

The solid who-done-it plot will titillate readers, causing them to anxiously speed through the pages until the wee hours of the night.

A Q&A with Suzanne Harper, Author of ‘Fun and Frothy’ Books for Teens

As a contributing writer for ShelfLife@Texas, UT-Austin’s book blog site, I had the privilege of interviewing an up-and-coming young adult writer. If you’re a fan of Meg Cabot or Anne Brashares, you’ll love Suzanne Harper’s fun and frothy novels, “The Secret Life of Sparrow Delaney” (Harper Collins, 2008) and “The Juliet Club” (Harper Collins, 2008). [This blog is re-purposed from ShelfLife@Texas].

Did you set out to write fiction for young adults?

All through college and graduate school and many writing courses after that, I really wanted to write mysteries for the adult market, although I kept reading children’s books during that time simply because I enjoyed them so much. Then I started working at Disney Adventure magazine, which led me to learn more about children’s books and children’s publishing. Also during that time, the YA market started booming, so I found myself reading more books aimed at teens. Then one day I was doodling in my journal and found myself writing a sentence that would eventually become the first line of “The Secret Life of Sparrow Delaney” (“It’s three minutes past midnight and the dead won’t leave me alone”). As I kept writing, the voice of my main character came through loud and clear – and she was definitely a teenager! I started writing my first YA novel and found that it was great fun.

When you were a teen, what kind of books did you like to read?

I liked epic historical novels, gothic romance novels, comedic novels, mysteries, spy novels, fantasy and science fiction to some degree….really, almost anything except moody books about mid-life crises (which I still avoid at all costs).

How do keep fresh when it comes to writing teen dialogue?

I don’t try to mimic teen speech as such. For one thing, slang dates a book really quickly. And for another thing, I think that if I were consciously trying to write teen dialogue – as opposed to trying to write good dialogue – I would quickly go off the rails. (I’ve read a few teen reviews online that complain that no teens actually talk like my characters, which is probably true. If anything, I guess I try to write idealized teen dialogue)!

In “The Juliet Club,” six friends are bonded by an organization called “the Juliet Club,” in which they answer letters sent to Juliet by those seeking advice on matters of the heart. What is the significance of the Shakespearean classic “Romeo and Juliet,” and why did you choose it to frame your story?

I read about the real-life Juliet Club, which is based in Verona, Italy, in an airline magazine. The club has dozens of volunteers who respond to letters from around the world, sent by people asking for advice from Juliet. (By the way, there is a nonfiction book about the history of the Juliet Club, which is the basis of the upcoming movie, “Letters to Juliet.”) I thought that the concept of the Juliet Club was a great setup for a YA novel, since Romeo and Juliet were teens and most teens first encounter Shakespeare through Romeo and Juliet.

Having said that, the main plot is really based on “Much Ado About Nothing.” It’s one of my favorite plays and it was great fun to re-visit it and echo certain scenes in the novel.

I also had a lot of fun researching the book. I visited Verona twice, took Italian lessons, and had tutors teach me a tiny bit about stage sword fighting and Elizabethan dance in order to write the scenes where my characters have to learn both those skills.

What message about love do you want the reader to walk away with?

That it’s a good idea to entertain the possibility that love will appear in disguise! In the novel, Giacomo thinks Kate is too studious and she thinks he’s too much of a flirt (actually, they’re both right, but they still fall in love). Silvia thinks Tom is awkward and gauche and Lucy doesn’t even notice Benno until almost the end of the book.

The other message is that love (and perhaps Shakespeare– or maybe both!) can transform people. Kate learns to flirt, Giacomo truly falls in love for the first time, Silvia softens a bit, Tom finds courage to declare his love, and so on. (And let’s not forget Kate’s father and Giacomo’s mother, who overcome a bitter academic rivalry to find romance).

In “The Secret Life of Sparrow Delaney,” the protagonist is a teenage medium who tries desperately to be “normal.” How do you think your readers can identify with Sparrow?

I think the desire to be normal and fit in is a classic teen wish, mainly because almost every teenager (even the popular, “normal” ones) secretly feel that they’re weird and abnormal. Also, teens are very self-conscious about being teased or seen as different, so most of them can identify with the fear of being mocked because their family talks to ghosts (even if their family doesn’t).

Paranormal young adult novels have become a huge hit among teenage girls. Why do you think young readers are so enthralled by things that go bump in the night?

Teens have always been fascinated with death and the possibility of an afterlife. I think it’s because they’re still relatively close to that shocking moment in childhood when you first realize that people you love — and eventually you — will die. It’s a subject that fascinates and scares them in equal measure, and they like reading books that address those issues.

Can you give us a glimpse into what you’re working on now?

I’m working on a middle grade series, which again involves the paranormal (and is set in Austin). I also have another YA novel in progress that is set in an alternate version of 18th century England and involves a troupe of traveling players.

About the Author: Harper has written three original novels based on the “Hannah Montana” TV series and a number of novels (under the pen name N. B. Grace) based on “High School Musical.” Her nonfiction books include “Boitano’s Edge: Inside the Real World of Figure Skating” (with Olympic gold medalist Brian Boitano), “The Real Spy’s Guide to Becoming a Spy” (with Peter Earnest, executive director of the International Spy Museum), “Terrorists, Tornadoes and Tsunamis: How to Prepare for Life’s Danger Zones” (with Lt. Col. John C. Orndorff), and “Hands On! 33 More Things Every Girl Should Know: Skills for Living Your Life from 33 Extraordinary Women.” Visit her Web site for more about her works.

Back to the Bedroom…More Like Back to the Blah

The sugary sweet story of a woman with the “soul of a birthday cake living in a bran muffin house” who falls for a man with the “soul of a bran muffin living in a birthday cake house” has about as much substance as a Krispy Krème doughnut. The story is simple: Girl meets boy, girl and boy fall in love and ridiculous neuroticisms and eccentricities keep boy and girl apart. Female protagonist Katherine Finn is supposed to be endearing with her wild mane of red hair and chronic fear of commitment; however, I grew tired of her insatiable need to complicate a seemingly perfect relationship with the lotto-winning, all around Mr. Perfect David Dodd. Come to think of it, I don’t think I would want much to do with the overly sensitive guy either. The love scenes didn’t steam up my reading glasses because the cute-as-a-button male lead embodied about as much testosterone as the writer herself. I mean really, nothing sparks my fire more than a man who stays at home all day and plays with toys. Evanovich made an attempt to add an element of mystery to spice up the ho-hum storyline by having a piece of an unexplained aircraft crash down on Katherine’s house. The so-called mystery quickly shifts to the backburner as the painstakingly tedious romance unfolds. Now, considering this is one of Evanovich’s earlier works, I would like to believe this contrived, harlequinesque story was just a fluke, so I went on to read two more of her earlier works: “Visions of Sugarplums” and “Thanksgiving.” Sadly, these duds far surpassed my low expectations. As far as Janet Evanovich books are concerned, the three-strikes- rule certainly applies. Never again will I devote precious reading time to Evanovich’s mind-numbing, generic novels. In short, “Back to the Bedroom” is a paint-by-numbers romance that strives too hard for a fairytale ending – triggering a gag reflex along the way.

“Calamity Jayne” by Kathleen Bacus

Throw in two parts Nancy Drew, one part Lucille Ball, add a dash of Stephanie Plum, shake it all up and you’ve got a one-of-a-kind amateur sleuth with a penchant for junk food and hot-pink snakeskin cowgirl boots. Tressa Jayne Turner (who begrudgingly answers to “Calamity Jayne”) is lovingly known around her small Midwestern town for being a magnet to mischief and mayhem.

Calamity is fed up with dumb-blonde jokes and sets forth on a mission to give her nickname an overhaul by replacing “Calamity” with “Ace Reporter Extraordinaire.”

The fair-haired protagonist haphazardly finds herself in the middle of a high-profile mystery when she discovers the corpse of an accused drug smuggling lawyer in her trunk. When the corpse disappears, she (once again) becomes the laughing stock of the town. Fueled with frustration and anger, Calamity sets out to solve the crime and to finally earn some much deserved R-E-S-P-E-C-T. What better way to make a name for herself than by single-handedly solving a mystery and writing about it as an ace-cub reporter for The Gazette?

Bacus’s laugh-out-loud mystery/romance/comedy novel, complete with heart-pounding romantic encounters and small-town charm, is a cozy read filled with eccentric characters and quick-witted dialogue. My only qualm about this cozy read is the lackluster mystery plot. Readers can easily finger the culprit when they reach the halfway point. However, the veritable smorgasbord of richly developed characters, especially Calamity’s feisty elderly crime-fighting sidekicks, make up for the story’s predictable ending.

It seems apparent readers just can’t get enough of this kind-hearted, frizzy-haired amateur sleuth. Calamity Jayne is the first installment in Kathleen Bacus’s series: Calamity Jayne Rides Again, Ghouls Just Want to Have Fun and Calamity Jayne Goes to College.

If you’re interested in a light beach read, pick this one up. A word to the wise: if you’re prone to laughing out loud when reading funny books, try not to read Calamity Jayne when you’re sandwiched between two sleeping passengers on an airplane…sometimes we learn these things the hard way.